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Thin Lizzy - Black Rose: A Rock Legend (1979)
vom: 09.03.2016
Downloads:
1430
Hochgeladen um:
04:55:18
Öffentlicher Name:
eRaZEr
Format:
mp3
Beschreibung:
Thin_Lizzy_-_Black_Rose_A_Rock_Legend-1979-MCA_int [img(width=316 height=60)]links/images/splogo.jpg[/img] [img(width=275 height=86)]links/images/zslogo.png[/img]
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ΪΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΏ ³ώ ώ³ ³ .-/ .-. ³ ³ _.-~ / ___ | ~-._ ³ ³ \:/ -~| / __/| .\:/ ³ ³ / || (:/:| \ ³ ³ / /\/| |:\___\| |\ \ ³ ³ / /:::|.::/:::/:.|:\ \ ³ ³ / /:::/ \\/:::/::/:::\ \ ³ ³ / .::\ \-~~~~-/\/:.. \ ³ ³ /..:::::\ /:::::..\ ³ ³ /::::::::- -::::::::\ ³ ³ \:::::-~ ~-:::::/ ³ ³ \:-~ ~-:/ ³ ³ METAL CLASSICS ARCHIVE ³ ³ ³ ³ ³ ³ ³ ³ P R E S E N T S ³ ³ ³ ³ ³ ³ + Thin Lizzy - Black Rose: A Rock Legend + ³ ³ ³ ³ ³ ³ΙΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝ» ³ ³Ί Release Information Ί ³ ³ΜΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΚΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝ» ³ ³Ί Ί ³ ³Ί Release Date.Feb-28-2016 Encoder......L3.97 -V2 --vbr-new Ί ³ ³Ί Genre........Hard Rock Graber.......EAC Ί ³ ³Ί Year.........1979 Khz/Bitrate..44,1/ Br Ί ³ ³Ί Ί ³ ³Ί Ripper.......anthem Songs........09 Ί ³ ³Ί Covers.......Yes Url... www.thinlizzyband.com Ί ³ ³Ί Ί ³ ³ΘΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΌ ³ ³ ³ ³ ³ ³ ³ ³ΙΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝ» ³ ³Ί Release Notes Ί ³ ³ΜΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΚΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝ» ³ ³Ί Ί ³ ³Ί Artist : Thin Lizzy Rating : You Decide! Ί ³ ³Ί Album : Black Rose: A Rock Legend Label : Phonogram Ί ³ ³Ί Ί ³ ³Ί Ί ³ ³ΜΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΉ ³ ³Ί Ί ³ ³Ί Description : Ί ³ ³Ί Ί ³ ³Ί It’s a heavier approach we find Ireland’s finest Ί ³ ³Ί (sorry, U2) rock band swathed in on this effort, Ί ³ ³Ί having since dispatched guitarist Brian Ί ³ ³Ί Robertson (injured in a bar fight, he’d later Ί ³ ³Ί gone to rattle cages briefly with Motorhead) in Ί ³ ³Ί favor of Gary Moore. The man’s speed, weight and Ί ³ ³Ί general all around breathtaking guitar abilities Ί ³ ³Ί could never be anything but a boon to any band, Ί ³ ³Ί and this wasn’t the first time Phil Lynott and Ί ³ ³Ί company had called on him to pinch hit. He’d Ί ³ ³Ί stepped into the breach on the Bad Reputation Ί ³ ³Ί tour, and here he is as a full-blown member of Ί ³ ³Ί the Lizzy lineup proper. Ί ³ ³Ί Ί ³ ³Ί Ί ³ ³Ί Material wise, it’s another straight shooting Ί ³ ³Ί collection of material that continues the band’s Ί ³ ³Ί ever upward spiraling legacy, although fewer and Ί ³ ³Ί fewer dollars were forthcoming despite the Ί ³ ³Ί overflowing art on display. A much thicker Ί ³ ³Ί guitar tone than previous is immediately evident Ί ³ ³Ί on “Do Anything You Want To,” a rumbling, bass Ί ³ ³Ί driven number that’s fun, but a shade formulaic Ί ³ ³Ί by Lizzy’s usually mould-busting standards. The Ί ³ ³Ί real heat arrives with “Toughest Street In Ί ³ ³Ί Town,” a tale of rough stuff in the city, fueled Ί ³ ³Ί by Lynott’s visceral visions, and Moore’s Ί ³ ³Ί relentless shredding. “Waiting For An Alibi” is Ί ³ ³Ί a great twin-guitar motivated number; featuring Ί ³ ³Ί some of the band’s most impressive six string Ί ³ ³Ί layering ever. “My Sarah” is a lovely tune Ί ³ ³Ί Lynott wrote for his young daughter, which is Ί ³ ³Ί hardly appropriate for snarling rock, so Lizzy Ί ³ ³Ί appropriately perform this one at half-mast, Ί ³ ³Ί with melodious solos aplenty. Ί ³ ³Ί Ί ³ ³Ί Ί ³ ³Ί By this time it must be admitted that the man Ί ³ ³Ί (Lynott) and the band’s drug addiction was on Ί ³ ³Ί the brink of seriously addling their collective Ί ³ ³Ί futures. Thus, the frankness with which said Ί ³ ³Ί addiction is confronted in “Got To Give It Up” Ί ³ ³Ί is startling, and would be downright morose, if Ί ³ ³Ί not for boasting some of the band’s toughest Ί ³ ³Ί riffs ever. It’s clear that whereas most rock Ί ³ ³Ί stars saw drug ‘n booze excess as their right, Ί ³ ³Ί Lynott saw it for what it was; a yoke he was Ί ³ ³Ί sadly not able to walk away from, right up until Ί ³ ³Ί his death. The far punchier and terse “Get Out Ί ³ ³Ί Of Here” is a humorous detour, and a real Ί ³ ³Ί relief, while “Roisin Dubh (Black Rose)” is Ί ³ ³Ί metal greatness galore. Lyrically recalling Ί ³ ³Ί “Emerald” from the band’s own Jailbreak, it’s Ί ³ ³Ί another journey into Lynott’s learned Gaelic Ί ³ ³Ί mind, and boasts some staggering incendiary Ί ³ ³Ί guitar work from both Moore and longtime Lizzy Ί ³ ³Ί accomplice Scott Gorham. Ί ³ ³Ί Ί ³ ³Ί Ί ³ ³Ί And so the Lizzy rampage rolls on, bloodied, Ί ³ ³Ί intoxicated and still in search of a sizable Ί ³ ³Ί audience. From here, there would be two more Ί ³ ³Ί albums (Chinatown and Renegade) of varying Ί ³ ³Ί quality and varying lineups (Moore would split, Ί ³ ³Ί not being able to handle the heroin, whilst Ί ³ ³Ί Snowy White and Midge Ure would have brief and Ί ³ ³Ί odd tenures with the band). But just as the Ί ³ ³Ί skies were darkest, the heavens crashed and Ί ³ ³Ί suddenly there was Thunder And Lightning. Go Ί ³ ³Ί directly to 1983, if you please, for Lizzy’s Ί ³ ³Ί crushing coda. Ί ³ ³Ί Ί ³ ³Ί Ί ³ ³Ί Ί ³ ³ΘΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΌ ³ ³ ³ ³ ³ ³ ³ ³ΙΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝ» ³ ³Ί Release Tracklist Ί ³ ³ΘΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΚΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝ ³ ³ ³ ³ 01 - do anything you want to [03:53] ³ ³ 02 - toughest street in town [04:00] ³ ³ 03 - s & m [04:06] ³ ³ 04 - waiting for an alibi [03:30] ³ ³ 05 - sarah [03:34] ³ ³ 06 - got to give it up [04:24] ³ ³ 07 - get out of here [03:37] ³ ³ 08 - with love [04:41] ³ ³ 09 - rσisνn dubh (black rose) a rock legend [07:05] ³ ³ ³ ³ Total Length : [38:50 minn ³ ³ ³ ³ ³ ³ άάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάάά ³ ³ ³ ³ ³ ³ ³ ³ ΙΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝ» ³ ³ Ί Greetings To: Ί ³ ³ ΘΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΝΌ ³ ³ ³ ³ Too all people who contributes to make this ³ ³ archive of good music in a exceptional conditions ³ ³ ³ ³ ³ ³ ³ ³ώ ώ³ ΐΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΔΩ
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