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New York Dolls - Cause I Sez So (2009)

vom: 28.08.2022

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482

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09:33:16

Öffentlicher Name:

Meoki

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mp3

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[img]links/images/splogo.jpg[/img]

[center][url=https://postimages.org/][img(width=450 height=447)]https://i.postimg.cc/rmm6J5G7/000.jpg[/img][/url][/center]
Rock

Musik aus der Zeit der Platform Shoes, Glitzerklamotten und tonnenweise Makeup auf M�nnerk�rpern. Die New York Dolls ist eine Glam-Rock-Band der fr�hen 1970er-Jahre und Vorreiter der sp�teren Punk-Bewegung. Von den Detroiter Bands MC5 und The Stooges beeinflusst, pr�gten die Dolls eine gesamte Epoche von Musikern und Bands wie die Hanoi Rocks, The Damned, The Boys und die Sex Pistols, deren Manager Malcolm McLaren einige Zeit mit den Dolls zusammengearbeitet hatte.
Laut AllMusic-Redakteur Stephen Thomas Erlewine entwickelten die New York Dolls einen originellen Hardrock-Stil, der sowohl Punkrock als auch Heavy-Metal-Musik vorwegnahm und sich auf Elemente wie den „dirty rock & roll“ der Rolling Stones, den „anarchic Noise" der Stooges, Glam Rock von David Bowie und T. Rex und Girlgroup-Popmusik berief. Erlewine schrieb der Band zu, Punkrock geschaffen zu haben, "bevor es einen Begriff daf�r gab".Ken Tucker, der sie als Proto-Punk-Band bezeichnete, schrieb, dass sie stark von der "New Yorker Sensibilit�t" von Lou beeinflusst waren. Reed: "Die gemeinen Witzeleien und der leidenschaftliche Zynismus, die die Songs der Dolls pr�gten, repr�sentierten eine Haltung, die Reeds Arbeit mit Velvet Underground verk�rperte, ebenso wie der ausgepr�gte Mangel an Musikalit�t der Dolls."

Cause I Sez So is the fourth studio album (and second after their reunion) by the New York Dolls.  The album was produced by Todd Rundgren, who also produced their self-titled debut album. One of the songs, "Trash", is a reggae-style remake of a song that originally appeared on their debut album.
Michaelangelo Matos of The A.V. Club found the album "life-affirming" overall, while The Daily Telegraph critic Andrew Perry said the Dolls are "in rude creative health" on their "tidiest [album] ever, and their most contemplative". The Boston Globe's Jonathan Perry regarded it as "classic New York Dolls" full of "heart, soul, and swagger", and concluded, "Johansen's bowery rasp still has the texture of old shoe leather, but against improbable odds and the ravages of time, it somehow works beautifully." While surprised at the band's newfound appreciation for "a range of rock styles so disdained by punk", Andy Gill of The Independent believed the album is "far better than we had any right to expect". Writing for MSN Music, Robert Christgau conceded it is the first of the Dolls' albums that is "less than epochal", but ultimately observed redeeming qualities:
Not all the tunes are surefire. Its garage-rock derivative is several degrees bluesier than the permanently exploding protopunk they reprise on the closing 'Exorcism of Despair' just in case you forgot the thrill. And the Buddhism is more overt: post-flagellant culture, existence as a temptation, 'Offering the modern crowd an absolute/Worthy of its nothingness.' Just in case you forgot the frame of reference, however, there's also a skanking remake of 'Trash.' And in the end David Johansen's lyrics somehow combine extreme skepticism, metaphysical despair, romantic agony, rock-solid agape and luv l-u-v.

[color=#FF0000]1.	"Cause I Sez So"	David Johansen, Sylvain Sylvain	3:06
2.	"Muddy Bones"	David Johansen, Sami Yaffa	3:00
3.	"Better Than You"	David Johansen, Steve Conte	3:22
4.	"Lonely So Long"	David Johansen, Sylvain Sylvain	4:05
5.	"My World"	David Johansen, Sylvain Sylvain	3:26
6.	"This Is Ridiculous"	David Johansen, Steve Conte	3:15
7.	"Temptation to Exist"	David Johansen, Sami Yaffa, Steve Conte	4:02
8.	"Making Rain"	David Johansen, Sylvain Sylvain	4:06
9.	"Drowning"	David Johansen, Sylvain Sylvain	3:32
10.	"Nobody Got No Bizness"	David Johansen, Sylvain Sylvain, Steve Conte	2:58
11.	"Trash"	David Johansen, Sylvain Sylvain	3:52
12.	"Exorcism of Despair"	David Johansen, Sylvain Sylvain	4:17[/color]

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