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Young Gods - Play Kurt Weill (1991)

vom: 24.09.2022

Downloads:

286

Hochgeladen um:

08:02:55

Öffentlicher Name:

Mayamoto

Format:

mp3

Beschreibung:

[img]links/images/splogo.jpg[/img]

[center]
[url=https://postimages.org/][img(width=500 height=500)]https://i.postimg.cc/kDrBmL8n/000.jpg[/img][/url][/center]
Elektronik

The Young Gods ist eine Industrial-Band aus der Schweiz, die 1985 in Freiburg gegr�ndet wurde und derzeit aus Franz Treichler (Gesang), Cesare Pizzi (Sampler) und Bernard Trontin (Schlagzeug, vormals The Needles) besteht. Die Band wurde bei ihrer Namensgebung inspiriert durch den Song Young God der amerikanischen Band Swans.
Die Musik besteht haupts�chlich aus Schlagzeug, Sampler und Gesang und zeitweilig auch Gitarre, wobei die Art der Musik von Album zu Album stark variiert. Auf dem Album Play Weill covert die Band St�cke von Kurt Weill aus der Dreigroschenoper und aus Aufstieg und Fall der Stadt Mahagonny, z. B. Seer�uberjenny und Alabama Song.

Play Kurt Weill is a cover album released by Swiss Industrial band The Young Gods. The album comprises interpretations of pieces by German composer Kurt Weill. The band played the entire track list during the Kurt Weill tribute concert in Switzerland in September 1989.
The album is a revelation; while rockers from Bobby Darin to Lou Reed and on had tried their hand at the Weill songbook, the Young Gods embraced the avant-garde bent of Weill's music with a passion. "Prologue" reworks the sly opening narration to Threepenny Opera in the context of a rock concert, audience screams and all, and from there on in, it's Weill as you've not quite heard him before, ditching solo cabaret revivalism for sample-based reinvention. "Mackie Messer" launches guitar snarls and rips all over the place, "Speak Low" takes on distinctly ominous undertones, "Seerauber Jenny" cheekily blends a more straightforward oompah approach with discordant woodwind samples, background string loops, and huge drum blasts. Treichler sounds throughout like he's having the time of his life; on "Alabama Song," memories of the Doors' fair enough take are erased by his sinuous whisper and the band's switch between calm and noise. As for the amazing album-ender "September Song," delivered by Treichler with restrained passion over a stripped-down wash of ocean waves and ghostly samples floating in and out of the mix.

[color=#FF0000]Prologue	1:50
Salomon Song	4:12
Mackie Messer	4:12
Speak Low	5:10
Alabama Song	5:49
Seer�uber Jenny	5:49
Ouverture	2:48
September Song	2:43[/color]

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