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Metallica - 72 Seasons (2023)

vom: 14.04.2023

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2514

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Öffentlicher Name:

smiler10

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mp3

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NFO:

��

Musical Over Dose
                is proud to present
                Since January 2002

another new release, have fun

.: about release :.

Name       .:. Metallica - 72 Seasons

Genre       :  Metal
      Source      :  CDDA
      Type       .:. Album

Artist      :  Metallica
      Label       :  EMI (Universal Music)
      Titel       :  72 Seasons

Tracks      :  12
      Playtime    :  77:14
      Size        :  147,23MB

Encoder     :  VBRNEW - LAME3.100 - V0
      Quality     :  VBR kbps / 44.1kHz / Joint-Stereo
      Bitrate     :  avg. 266kbps

[ Tracklist ]

01.72 Seasons                                            07:40
            02.Shadows Follow                                        06:12
            03.Screaming Suicide                                     05:31
            04.Sleepwalk My Life Away                                06:56
            05.You Must Burn!                                        07:03
            06.Lux aeterna                                           03:22
            07.Crown of Barbed Wire                                  05:49
            08.Chasing Light                                         06:45
            09.If Darkness Had a Son                                 06:36
            10.Too Far Gone?                                         04:34
            11.Room of Mirrors                                       05:34
            12.Inamorata                                             11:12

Total  77:14 Min

The first 72 seasons - 18 years, converted to real
      money - of a person’s life is the period during
      which one goes through the formative experiences
      that help define who they are. It was at this point
      in their own timelines that Lars Ulrich and James
      Hetfield came together to form Metallica in 1981.
      How far we are from there now. Forty-two years have
      passed since then, and an even four decades since
      they emerged to the world at large with Kill ’Em
      All. It’s even been longer than 72 seasons since Rob
      ‘new-new kid’ Trujillo joined the ranks.

And if we’re counting in seasons, Metallica are over
      160 old, and into a golden autumn. The men
      themselves are beginning to pass their individual
      60th years. As such a thing raises its own questions
      about what you can expect from Metallica so far into
      the game (a game they long ago won anyway), perhaps
      the most rewarding thing listening to their 11th
      studio album is the rough balance between the honed
      muscle and worldly wisdom of what’s now effectively
      a lifetime as the world’s biggest metal band - 32
      years, if we count from The Black Album - and the
      high-on-testosterone-and-NWOBHM energy of the kids
      who made Kill ’Em All.

The first peep, Lux aeterna, may have implied this
      was a more openly retro-looking work than it
      actually is, with its openly Diamond Head-snogging
      riff and Papa Het’s ‘Lightning the nation’ lyrical
      nod, as well as harking back to Whiplash’s ‘Full
      speed or nothing’. Fun as that all is, it’s
      refreshing that this isn’t the whole story here.

As with Hardwired� To Self-Destruct, 72 Seasons
      often finds the band stripped right back to a rough
      core. There’s a jam-room physicality in Shadows
      Follow’s thrusting riffs, the one-two punches of the
      moody Chasing Light and doomy Crown Of Barbed Wire,
      the thrashing mania of the opening title-track, and
      the NWOBHM nods of Too Far Gone?. Not that they’ve
      become the Ramones, not with so many riffs and
      stop-start stabs throwing the songs round so many
      corners, but the performance here is one you can
      hear sweating like a boxer.

There’s thrash and speed, just as there is stadium-
      sized, Enter Sandman-ish riffs, and the odd payment
      of respect to the doom of influences like Trouble,
      often in the same song. On the album’s home stretch,
      there’s shades of something approaching Rush on the
      intro to Room Of Mirrors, while Inamorata closes
      things out with the album’s most interesting, proggy
      melody in its fat groove, almost like Baroness.
      These comparisons are all fleeting and in the ear of
      the beholder, though: mostly what this sounds like
      is Metallica celebrating being Metallica.

For James Hetfield’s part, there are lyrics here
      that are some of his most black-cloud since the
      bitter cynicism of �And Justice For All. On
      Inamorata, he describes how, ‘Misery she needs me /
      Oh but I need her more’. 72 Seasons sees the
      admission that ‘Mad seasons take their toll’,
      wearing a ‘New mask’ and having ‘Completely lost
      control,’ before Too Far Gone? comes with the
      unvarnished assertion that ‘I am desperation / I am
      isolation’. Though his bandmates recently insisted
      to K! that the lyrics are ultimately positive, and
      the album closes with the raised-fist defiance that
      ‘Misery, she’s not what I’m living for’, it’s a set
      of words that very much Go There in order to come
      back.

At an hour-and-a-quarter, like its predecessor, 72
      Seasons is a lot to cram in in one go, a marathon.
      But it slaps consistently, and hard. Moreover, it
      sounds like a band caught up in their own energy, at
      times as if they’re unable to stop until the song’s
      ready to finally let them. And though 72 Seasons
      isn’t a game-changer, it’s this that says the most
      important thing here: Metallica being Metallica and
      letting fly with all they’ve got is still a mighty,
      charged-up, exciting, cathartic, deadly thing.

https://www.metallica.com

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