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Afrika Bambaataa & Time Zone - Warlocks and Witches, Computer Chips, Microchips and You (1996)

vom: 29.07.2023

Downloads:

276

Hochgeladen um:

08:07:31

Öffentlicher Name:

Midori

Format:

mp3

Beschreibung:

[img]links/images/splogo.jpg[/img]

[center][url=https://postimages.org/][img(width=500 height=508)]https://i.postimg.cc/pdbrRywM/000.jpg[/img][/url][/center]
Funk

Born as Lance Taylor to Jamaican and Barbadian immigrants, Bambaataa grew up in The Bronx River Projects, with an activist mother and uncle. As a child, he was exposed to the black liberation movement, and witnessed debates between his mother and uncle regarding the conflicting ideologies in the movement. He was exposed to his mother's extensive and eclectic record collection. Gangs in the area became the law, clearing their turf of drug dealers, assisting with community health programs and both fighting and partying to keep members and turf. Bambaataa was a member of the Black Spades. He quickly rose to the position of warlord of one of the divisions. Inspired by DJ Kool Herc and Kool DJ Dee, Bambaataa began hosting hip-hop parties beginning in 1976. He vowed to use hip-hop to draw angry kids out of gangs and form the Universal Zulu Nation. Robert Keith Wiggins, a.k.a. "Cowboy" of Grandmaster Flash and the Furious Five, is credited with naming hip-hop; the term became a common phrase used by MCs as part of a scat-inspired style of rhyming. In 1982, Taylor, who was inspired by Kraftwerk's futuristic electronic music, debuted at The Roxy a test cassette of EBN-OZN's ground breaking, 12-inch white rap/spoken word "AEIOU Sometimes Y," the first commercially released American single ever made on a computer, a Fairlight CMI, ushering in the era of music computer sampling.
In that same year Bambaataa and Soulsonic Force dropped the live band to go high-tech. Bambaataa credited the pioneering Japanese electropop group Yellow Magic Orchestra, whose work he sampled, as an inspiration. He also borrowed an eerie keyboard hook from German electronic pioneers Kraftwerk and was provided the electronic Roland TR-808 "beat-box" by producer Arthur Baker and synthesizer player John Robie. That resulted in "Planet Rock," which went to gold status and generated an entire school of "electro-boogie" rap and dance music. Bambaataa formed his own label to release the Time Zone Compilation. He created "turntablism" as its own subgenre and the ratification of "electronica" as an industry-certified trend in the late 1990s.

A seeming repository for a number of Bambaataa's hit singles of the late '80s/early '90s, this album from Time Zone (one of the groups within the Zulu Nation collective) covers a bit of dancehall reggae, a bit of soul, and a whole pile of hip-hop. Singles represented therein include "Funky Beeper," a remix of "Unity" (with James Brown), "Throw Ya Fuckin' Hands Up," and "Zulu War Chant." Relatively apocalyptic in many respects lyrically, the album still isn't all that horrible in most respects. For fans of Bambaataa's music, it isn't too bad of an addition to the collection. Non-fans should look elsewhere.

[color=#FF0000]1		Zulu Interlude #1	0:15
2		This Is Time Zone 1:33
3		Funky Beeper	2:26
4		Unity Part 7 (The Rapmania Live Mix)	5:00
5		Mazuma 2:04
6		Throw Ya Fuckin' Hands Up 4:35
7		One Time 4 Ya Mind 2:56
8		Godfather (Take You Higher) 4:42
9		Zulu Interlude #2	0:12
10		Fugitive 4:53
11		Keepin' It Real 4:46
12		Funkadelic Shack	4:37
13		Turn This Mutha Out - Part 1	4:25
14		Zulu Interlude #3	0:10
15		(It's Alright Now) Think I'll Make It Anyhow 3:46
16		Ugly Gals 2:53
17		D.C. Nation 3:47
18		One Love (Work That Sucker) 9:38
19		Lyin' People	4:43
20		Zulu Interlude #4	0:21
21		Warlocks And Witches, Computer Chips, Microchips And You	5:09[/color]

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