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Green Day - Saviors (2024)

vom: 17.01.2024

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1387

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smiler10

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mp3

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NFO:

��

Musical Over Dose
                is proud to present
                Since January 2002

another new release, have fun

.: about release :.

Name       .:. Green Day - Saviors

Genre       :  Rock
      Source      :  CDDA
      Type       .:. Album

Artist      :  Green Day
      Label       :  Warner Music (Warner)
      Titel       :  Saviors

Tracks      :  15
      Playtime    :  46:03
      Size        :  92,22 MB

Encoder     :  VBRNEW - LAME3.100 - V0
      Quality     :  VBR kbps / 44.1kHz / Joint-Stereo
      Bitrate     :  avg. 279kbps

[ Tracklist ]

01.The American Dream Is Killing Me                      03:06
            02.Look Ma, No Brains!                                   02:04
            03.Bobby Sox                                             03:44
            04.One Eyed Bastard                                      02:53
            05.Dilemma                                               03:18
            06.1981                                                  02:10
            07.Goodnight Adeline                                     02:57
            08.Coma City                                             03:28
            09.Corvette Summer                                       03:02
            10.Suzie Chapstick                                       03:17
            11.Strange Days Are Here to Stay                         03:06
            12.Living in the '20S                                    02:06
            13.Father to a Son                                       03:54
            14.Saviors                                               02:56
            15.Fancy Sauce                                           04:02

Total  46:03 Min

‘The American Dream is Killing Me’ is the opening
      track of Saviors, and I noticed something familiar
      about it straight away. The guitar riff is very
      similar to the riff that carries ‘Jesus Of
      Suburbia’, albeit a little faster. It’s a good
      opener for an album though, and sounded a lot more
      like the Green Day I knew, than the Green Day I met
      on Father Of All�. My favourite song title on the
      record is track two, ‘Look Ma No Brains’ and it’s on
      the shorter side of songs with a run time of just
      over 2 minutes. ‘Don’t know much about history, coz
      I never learned how to read’ are the opening lyrics
      and if that doesn’t set the tone for what the next 2
      minutes are going to be, I don’t know what would.
      It’s short and sweet and the drums are really solid
      and punchy throughout. ‘Bobby Sox’ follows and it’s
      got a bit more of a grungy, chill vibe to it than
      the preceding tracks. It’s also the first appearance
      of Billie Joe’s old school vocals that aren’t as
      polished as they are now. We’re treated to ‘One Eyed
      Bastard’ next, and the chorus is a repeated gang
      chant of ‘Bada bing bada bing bada bing bada boom.’
      The opening riff actually reminds me a little bit of
      ‘So What’ by Pink, but if she was a touch rockier.
      It’s gonna be a fun one to rock out to at live
      shows.

Dilemma’ is the first one that I didn’t immediately
      get into. It took until the second verse after the
      chorus before I got properly into the song, but I
      think that has a lot to do with personal preference
      and taste more than anything else. It’s not a great
      song, but it’s not a bad song either, just not
      necessarily my jam. Felt a little too much like a
      teen romcom soundtrack that plays when the two main
      characters are pretending not to like each other.
      ‘Dilemma’ is followed by ‘1981’ and the chorus had
      me giggling the whole way through, ‘She’s gonna bang
      her head like 1981’ is the repeated line here and if
      you’re familiar with the bands that were popular in
      ’81 (‘Centrefold’ by The J. Geils Band anyone?),
      it’s an incredibly appropriate moniker to carry out.

‘Goodnight Adeline’ reminded me of ’21 Guns’, but a
      little faster and also better. It’s sort of the
      mid-point of Saviors and is the first ballad-esque
      offering on the record; with a great guitar solo and
      a reminder of just how high Billie Joe can sing
      sometimes. With a title like ‘Coma City’, I was
      expecting a bit of a snoozefest but boy was I wrong.
      It’s got a great section buried in the second half
      that will work as a great call-and-response section
      at a live show, and it’s a song that makes you want
      to get up and dance. I’m also a total sucker for
      harmonies and Billie Joe and Mike just sound so good
      together in this. Musically, it’s cohesive as shit.

Would it really be a punk rock album without a song
      about a car? We get that here with ‘Corvette
      Summer’. Well, it’s less of a song about a car, and
      more about being able to get around because you have
      a car. It’s another that would fit in a romcom, but
      one with angsty overtones made in the late nineties
      like 10 Things I Hate About You. It’s very bass-
      driven as well, and Mike really shines throughout.
      The second track on Saviors featuring a girl’s name
      is ‘Suzie Chapstick’, and it plays out very much
      like an ode to an ex that you regret leaving, or
      maybe a girl that was the one who got away. I’ve
      missed hearing a Green Day song that starts with the
      vocals before anything else, and with ‘Strange Days
      Are Here to Stay’ my hopes were answered. It feels a
      little bit like ‘Basket Case’, but very much written
      to fit the new era of Green Day and the vibe of this
      record. The pacing musically is a little off kilter,
      but when it’s done on purpose like it is here it
      doesn’t necessarily feel as weird as it could.

Living in the 20’s’ feels a lot more like angsty,
      angry Green Day of days gone by, and I love that
      we’re being treated to what could almost be classed
      as ‘classic Green Day’, including a dirty little
      guitar solo and a great headbanging riff throughout
      that’ll make you wanna swear along with Billie Joe.

With a title like ‘Father to a Son’, I wasn’t
      surprised when the ballad of the record finally made
      it’s appearance. Not only does it have an acoustic
      guitar, but a string section and some piano. I shed
      a tiny tear listening to this one, which is exactly
      what I want from a Green Day ballad. Hopefully it
      moves other people as much as it moved me, and isn’t
      a song that’s slept on because of how far into the
      album it sits. Second to last is ‘Saviors’ which
      helped to shake the remaining tears out of my eyes
      from the previous track. Mostly because I was in
      shock that it wasn’t a great song. It’s another
      not-great but not-awful offering on this record, and
      unfortunately, it brings down the overall vibe of
      Saviors for me. As for the closer ‘Fancy Sauce’,
      earlier I mentioned that ‘Strange Days Are Here To
      Stay’ reminded me of ‘Basket Case’, and then this
      song talks about getting sent to the loony bin.
      Coincidence? Who knows. Maybe ‘Fancy Sauce’ acts a
      little like a full circle moment, and is a callback
      to the good old days of Green Day. This band have
      always been good at mixing taboo or melancholy
      topics with upbeat music and lyrics, and this is a
      seriously fun track. I wish it was placed higher on
      the tracklisting of the album, but it’s also a great
      one to end on. ‘We all die young some day’ is a
      prominent lyric in the chorus, and I think there are
      a lot of people who are going to relate to that
      feeling.

Saviors is a vast improvement on the disaster that
      was Father Of All� and it very much feels like Green
      Day are back and reclaiming their former glory. It’s
      a well-rounded album with a little bit of old
      school, a little bit of new school, and just the
      right amount of attitude we’ve come to expect from
      Billie Joe, Mike and Tre. If it had some heavier
      riffs it would have been perfect, but I don’t think
      Green Day are going anywhere anytime soon, so maybe
      the next album will be a real throwback to old
      school, pre-mainstream days.

https://greenday.com

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