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Johnny Guitar Watson - Listen (1973)
vom: 22.01.2024
Downloads:
245
Hochgeladen um:
10:26:21
Öffentlicher Name:
Mariko
Format:
mp3
Beschreibung:
[img]links/images/splogo.jpg[/img] [center] [url=https://postimages.org/][img(width=500 height=503)]https://i.postimg.cc/qBSDLb9b/000.jpg[/img][/url][/center] Funk Johnny Guitar Watson (* 3. Februar 1935 in Houston, Texas; gest. 17. Mai 1996 in Yokohama, Japan) war ein einflussreicher US-amerikanischer Blues-, Soul- und Funk-Musiker der 1950er- bis 1990er-Jahre. Watson hatte erheblichen Einfluss auf andere Größen der Rock- und Popmusik. Legendär ist die Antizipation des Gitarrenspiels per Mund, die Jimi Hendrix ein Jahrzehnt später zu seinem Markenzeichen perfektionierte. Manche seiner Alben (insbesondere Johnny Guitar Watson And The Family Clone) spielte Watson nahezu vollständig im Alleingang ein. Dem in dieser Hinsicht ähnlich vielseitigen Frank Zappa freundschaftlich verbunden, gastierte er auf dessen Alben One Size Fits All und Them or Us. Zappa gab an, dass das Watson-Stück Three Hours Past Midnight ihn inspiriert habe, Gitarrist zu werden. Etliche der Songs von Johnny �Guitar� Watson dienten später der Hiphop-Szene als Sample-Vorlagen. 1996 erhielt er gemeinsam mit Bo Diddley, Bobby Womack und den Isley Brothers den Pioneer Award der Rhythm & Blues Foundation. When Johnny "Guitar" Watson recorded Listen for Fantasy in 1973, he was three years away from the major comeback he would enjoy with 1976's Ain't That a Bitch. The singer/guitarist still had some very devoted fans, who remembered him for his blues output of the 1950s. But Watson was going after young R&B audiences in 1973, which is why Listen is a soul-funk album and not a blues album. You won't find another "Gangster of Love" or "Hot Little Mama" on Listen, an LP that was produced and arranged by Watson himself and makes it clear that he was paying close attention to what black radio (or "soul radio," as it was called) was playing at the time. Black radio, of course, was playing very few 12-bar blues numbers in the early '70s; nonetheless, R&B still had plenty of blues feeling, and Watson knew that soul and funk (just like rock) were very much an outgrowth of the blues. So he sounds quite comfortable on soul items like "You're the Sweetest Thing I've Ever Had," "It's All About You," and the sentimental "You Stole My Heart." However, Listen isn't a great record -- decent, but not great and not in a class with subsequent DJM gems like Ain't That a Bitch and 1977's A Real Mother for Ya. This LP, although likable, is only recommended to serious Watson collectors. [color=#FF0000]If I Had The Power 4:40 You've Got A Hard Head 4:29 Lovin' You 4:15 It's All About You 3:59 You're The Sweetest Thing I've Ever Had 3:57 I Get A Feeling 3:40 Why Don't You Treat Me Like I'm Your Man 2:55 You Bring Love 3:49 You Stole My Heart 3:28[/color] mp3 320
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