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Snow Patrol - The Forest Is The Path (2024)

vom: 12.09.2024

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Öffentlicher Name:

smiler10

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mp3

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NFO:

��

Musical Over Dose
                is proud to present
                Since January 2002

another new release, have fun

.: about release :.

Name       .:. Snow Patrol - The Forest Is the Path

Genre       :  Rock
      Source      :  CDDA
      Type       .:. Album

Artist      :  Snow Patrol
      Label       :  Polydor
      Titel       :  The Forest Is the Path

Tracks      :  12
      Playtime    :  50:51
      Size        :  91,35 MB

Encoder     :  VBRNEW - LAME3.100 - V0
      Quality     :  VBR kbps / 44.1kHz / Joint-Stereo
      Bitrate     :  avg. 251kbps

[ Tracklist ]

01.All                                                   04:19
            02.The Beginning                                         03:31
            03.Everything’s Here And Nothing’s Lost                  04:07
            04.Your Heart Home                                       03:40
            05.This Is The Sound Of Your Voice                       04:31
            06.Hold Me In The Fire                                   04:00
            07.Years That Fall                                       03:52
            08.Never Really Tire                                     05:54
            09.These Lies                                            04:48
            10.What If Nothing Breaks?                               03:42
            11.Talking About Hope                                    03:56
            12.The Forest Is The Path                                04:31

Total  50:51 Min

A lot has happened in Snow Patrol’s world in the six
      years since their last album, Wildness. There was
      the small matter of a pandemic, of course; Gary
      Lightbody, the band’s frontman, was awarded the
      freedom of his hometown; Nathan Connolly released a
      solo album; and Johnny McDaid reinforced his
      reputation as a pop gun for hire by writing more
      megahits with the likes of Ed Sheeran and Alicia
      Keys. Oh, and they lost two of their founding
      members: in 2021 Snow Patrol became a trio after
      their original drummer, Jonny Quinn, and bassist,
      Paul Wilson, quit for reasons that remain unknown.

Perhaps that shift has been the primary reason for
      Snow Patrol’s newfound sense of reflection. Their
      eighth studio album was largely informed, according
      to Lightbody, by gaining clarity on past
      relationships. By his own admission, the frontman
      has “done a lot of work” on himself (presumably in
      the form of therapy), and his songwriting benefits
      from the truthfulness unearthed via his romantic
      self-sabotage, although it makes for an odd
      intersection between “break-up album” and “self-
      aware confessional”.

On The Beginning he addresses an old flame,
      crooning, “I’m sorry unequivocally/ I just don’t
      know how to love.” On Hold Me in the Fire he sings
      how “the love you learn to fight, it keeps you
      numb”. On the standout track These Lies he admits
      that “all I’ve got are lies for you, even now”. It’s
      heavy going at times, although there is a sense of
      redemption in later tracks, such as Talking About
      Hope and What if Nothing Breaks?

Musically, this is certainly one of the most
      interesting albums that the band has made in years.
      Lightbody’s willingness to lay himself bare makes
      songs such as Never Really Tire, weighted down by an
      ominous piano riff, terrifyingly tender. The cracks
      in his falsetto on These Lies are probably something
      the band would have papered over on earlier albums,
      when they were arguably more concerned with peddling
      the kind of songs that made them stadium-fillers and
      festival headliners.

There are a few of those glossy, anthemic moments
      here, too, of course, from the pristine All to the
      easy-going, toe-tappy indie MOR of Your Heart Home.
      Aided and abetted by producer Fraser T Smith, who
      helped the trio see the wood - or the forest - for
      the trees after their initial attempts at self-
      producing the album, there is a clear progression
      from self-flagellation to the more hopeful numbers.
      The title track, meanwhile, ends on an uplifting
      refrain that you can expect to hear at many a
      festival next summer.

The lyrical sincerity occasionally topples into
      maudlin territory, but much of this album suggests
      that Snow Patrol are now willing to venture down the
      path less travelled, too.

https://snowpatrol.com/

��

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